For the final day before the release, I would like to talk about the cover.
Here it is.
Instead of trying to sell you the album (the music samples should speak better than any sale pitch!), I have decided to let Phil speak about the cover and his involvement. This is a partial payback for his work: hopefully, you will be intrigued enough to go and take a look at his website… and who knows, hire him when you will need an artist/ graphic designer!
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Q. How did you get involved in the project?
PHIL GWYNNE: I was asked by Peter Morris to design the cover of his upcoming album. I got in touch with Simon, and I was asked to keep certain features for the cover artwork such as the 3 sticks with the shadows, which had become associated with the project – along with the red border as a continuation of the previous rock album he had released.
Q. How did you make the cover happen?
PHIL: I first listened to Return of the Ulysses album extensively, getting a feel for the music to help influence the art. After a couple of days I had a design in mind. I started working on a blue watercolour background – again to help with the continuation of the previous album – which would make up the landscape. Later I added the border, the title, and added some finishing touches.
Q. How much does the final result reflect what people can expect to listen to in the album?
PHIL: I think the cover gives just a glimmer of what I feel the music does for anyone who listens to it – and that’s escapism: getting lost in the music. I can listen from start to finish and forget what I was doing in between. It’s hard not to get carried away with the music – but it’s so good when it happens.
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Well, that’s all for today. Remember that you can still request your first pressing limited edition of the album, costing only 10 euros (plus shipping), writing to:
















